Simply JBL For Me?!

Next, in the realm of Vintage Audio Enthusiasts that I have the pleasure to meet, they seemed to like and own JBL speakers.


After some exposures with them, I could not blame them for liking their JBLs.

There were certain alluring attributes with them.

Especially their mid range, soft, luscious, bloomy, detail, meaty…just like a fluffy sponge cake…(in the better sense)

…or so I thought?!

Here, Chin Fatt Teng (the owner) managed his JBL 4333a Loudspeakers with the most sort after, the Audio Research SP-10 full tube preamplifier, the rarely seen (here) McIntosh MC30 tube amplifier in mono configuration and sourced with Studer D741 CD Player.

Here, I was treated with an aggressive and taut mid bass attack,…

…which was also fast and timely!

The detail was โ€˜modernly cleanโ€™ and defined.

I was surprised…(and I thought I was hearing a vintage audio set up!)

Another surprise was that the audio room was of square proportion…

…therefore, I should not be hearing what I was given.

Then I noticed there were โ€˜breaksโ€™ in the square room, protruding pillar at the corners…

…which I believed dissipated the unwanted waves and even lessened the development of unwanted echo.

Thus, I was treated with naturally extended highs,…

…and quite balance tonality.

I left that listening session with โ€˜a pauseโ€™ to rethink my very own audio set up.

Another session of audio listening and another step upward in my audio journey.

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๐Œ๐ฒ ๐Ÿ๐ฌ๐ญ ๐•๐ข๐ฌ๐ข๐ญ ๐ญ๐จ ๐€๐ฎ๐๐ข๐จ ๐ƒ๐ž๐ง (๐‘ท๐‘จ๐‘น๐‘ป 4 ๐จ๐Ÿ ๐Ÿ“): ๐๐š๐œ๐ค ๐ญ๐จ ๐š๐ง๐š๐ฅ๐จ๐ ๐ฎ๐ž ๐ฌ๐ญ๐ž๐ซ๐ž๐จ โ€“ ๐˜ต๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ต๐˜ฉ๐˜ฆ 64โ€ ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ด ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ช๐˜ต ๐˜ช๐˜ด ๐˜ฅ๐˜ฐ๐˜ช๐˜ฏ๐˜จโ€ฆ

๐Œ๐ฒ ๐Ÿ๐ฌ๐ญ ๐•๐ข๐ฌ๐ข๐ญ ๐ญ๐จ ๐€๐ฎ๐๐ข๐จ ๐ƒ๐ž๐ง:- ๐ƒ๐ข๐ ๐ข๐ญ๐š๐ฅ ๐’๐ญ๐ž๐ซ๐ž๐จ โ€” ๐ข๐ง๐ญ๐ซ๐จ๐๐ฎ๐œ๐ข๐ง๐  ๐ญ๐ก๐ž ๐Ÿ”๐Ÿ’” (๐‘ท๐‘จ๐‘น๐‘ป ๐Ÿ ๐จ๐Ÿ ๐Ÿ“) ๐–๐ก๐ž๐ง ๐‹๐ข๐ฌ๐ญ๐ž๐ง๐ข๐ง๐  ๐๐ž๐œ๐จ๐ฆ๐ž๐ฌ ๐š๐ง ๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž.

๐Œ๐ฒ ๐Ÿ๐ฌ๐ญ ๐•๐ข๐ฌ๐ข๐ญ ๐ญ๐จ ๐€๐ฎ๐๐ข๐จ ๐ƒ๐ž๐ง โ€” ๐–๐ก๐ž๐ง ๐‹๐ข๐ฌ๐ญ๐ž๐ง๐ข๐ง๐  ๐๐ž๐œ๐จ๐ฆ๐ž๐ฌ ๐š๐ง ๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž (๐‘ท๐‘จ๐‘น๐‘ป 1 ๐’๐’‡ 5)