In addition to the transparency to the human voice, the Foxtrot loudspeakers were able to throw a huge soundstage and soundscape that encompassed not just the front wall (between and around the loudspeakers) but the entire audio den at 17.5′ [w] x 28′ [l] x 8′ [h]. With the track “Liberty“, the transparency to Ms.Anette Askvik‘s vocal was without question …

Similarly, at the track “Too Young“, the Foxtrot loudspeakers were so transparent to Ms.Ellen Andersson‘s sultry and sensual voice that cumulated to a level of intimacy that was almost surreal…therefore exemplified (B), (C), (D), (F) and (G). I believed that that surreality of her voice was also accredited to the Foxtrot loudspeaker’s transparency to the (jet black background) native recording, …

Here, through the vocal track of the AQUAMAN movie, “Everything I Need” (Deluxe Edition), I could hear Ms.Skylar Grey’s fluatuation in vocalisation and breathing, and that allowed me to follow the vocalist’s pace by pace of ‘emotional intensification‘ into the lyrics…or in other words, I being the listener, could easily sense her trying to put ‘emotional weight and presence’ into the words/ lyrics. Here, the …